After taking a few days to tweak my choices and figure out what I like best, I've settled into a really nice routine: Aurora Borealis as the Bedtime Cue, an hour of Forest Wind as my Wind Down and a Noise Mask of Brown Noise to play throughout the night. I love how easy it is to set the nighttime routine in motion once it's established. When I hear the Aurora Borealis come on, I start making my preparations for bed. Brush teeth, take meds, lights out and, crucially (I'm trying really hard to be disciplined, here), my phone goes face-down on the nightstand until morning. If I want to stay up late that night and ignore the Bedtime Cue, I can just hit the little stop button on the display. But once I'm ready to actually try to fall asleep, all I need to do is swipe down on the display to initiate the Wind Down, and Forest Wind will start playing.
It's in such small moments that Jarmusch allows his audience to determine the meaning of these scenes and this collection of stories. But where the first two sections of this triptych are about relatively strained relationships, the final is a warm portrait of almost supernatural closeness.
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«Сугробы, это, как говорится, не производство. Это производное от уборки», — заключила метеоролог.
Фото: Sergey Elagin / Global Look Press
63-летняя Деми Мур вышла в свет с неожиданной стрижкой17:54